First, let’s draw a line under Tunisia. We had a fab time, we really did. And I take back my comment about it not being ‘culture central’. If you’re interested in Roman remains then you will be tripping over columns and mosaics. They are everywhere. We did a back of beyond trip on Wednesday and saw another Colosseum, a huge recently excavated town, a massive aqueduct (what have the Romans ever done for us?) and a water storage/spring set up in the mountains. It was fab. So, if you like Roman stuff, you won’t get much better.
And, blah, the hotel was great, the weather warmer than Telford and everywhere very inexpensive. There is no nightlife (certainly not at this time of year) and it’s a hike to the marina, but if you just want to recharge (on a budget) then come. Fab.
Another highlight was the opportunity to concentrate of book 5, now with a draft title of To Hell In A Handcart. As you know I’ve been writing it on the hoof and that has been a strain and a little discombobulating. A week ago I was unsure if what I had written was going to be any good, and I was at a loss as to how it was all going to come together. Normally about now we’re in the south of France for six weeks and I write day-in, day-out … never losing track of where I am, or where we are all going. As I got on the plane to fly out I was at the end of Chapter 14, about 84k words in with a planned total of around 130k. I was all over the place and it all seemed to be taking forever.
A week later and by the time we flew into Birmingham I was three chapters to the better and feeling very pleased with myself. Hurrah!
But it does take for ever. Writing a book is like running a marathon. You start with enthusiasm, you quickly lose momentum, then it’s a slog, then it’s almost impossible (where I was when I got on the plane), and then the end comes into sight and you’re off – a sprint finish! 130,000 words is a lot of words. And this is my fifth book (OK, the first, Unsuspecting Hero, was only 86,000, but they got a lot longer after that). I work on 20 chapters of 6,000 words each. I end up with 21/22 chapters and an epilogue and prologue, both of which are slightly shorter than a chapter.
Each 1,500 words takes 2 hours. Then I crash edit that (about another 30 minutes). And then there are up to 6 full-book edits (plus a professional proof read) before she’s ready for publication. Therefore, the first draft is about 220 hours of work. After edits we’re looking at over 400 hours, possibly 450. That’s before we look at cover work, the blurb etc.
It’s not possible to work at a keyboard for 8 hours a day. If it were, the maths show it takes me 50 days to write a book. If you add in weekends that’s 10 weeks. In reality it takes twice that length. I start in September, finish the first draft in December. I then edit in the Spring.
My question is, is it worth it? I have sold 5,000 books in four years, with likely another 2,000 books out there via giveaways and Amazon’s prime lending library. Most of those books are Fuelling the Fire‘s (3,000), which Amazon/Kindle own. My last two books have sold just over 400 (The Innocence of Trust) and 150 (For Good Men To Do Nothing). I make somewhere between £1.50 and £2 a book – which, as you can see, is not very much. Other than one or two, the reviews are all great – some spectacular. My current rate on Goodreads against over 200 reviews is 4.2/5.0 which is as good as any I can find.
But … is it worth it? Really? It’s half a year’s work for, what looks like, a very slow take up. And just enough cash to pay my proofreader and replace my chromebook.
And five books (600,000 words) is quite a series. Isn’t it?
We’ll see. Let’s get this one out there first!
Pictures are all Tunisia.